Def leppard high n dry series#

Their new-found confidence and verve was apparent, whether they were piling into high-octane anthems (“Let It Go,” “You Got Me Runnin’,” “On Through The Night”) or mastering complex set-pieces such as the edgy “Another Hit And Run” and the beautifully crafted, widescreen ballad “Bringin’ On The Heartbreak,” which segued into an ambitious “Layla”-esque instrumental coda, “Switch 625.6623661916244 Def Leppard High n Dry Cropped Tee Black 24.00 ///s/files/1/0061/8627/0804/products/1-modelinfo-christy-US4_6413e9e7-f4a7-493c-b75a-0758d104311e.jpg?v=1638748514 ///s/files/1/0061/8627/0804/products/1-modelinfo-christy-US4_6413e9e7-f4a7-493c-b75a-0758d104311e_large.jpg?v=1638748514 USD OutOfStock Graphic Tops 70's 80's All All excl. Indeed, High’n’Dry proved to be the record where Def Leppard’s distinctive, arena-slaying sound first materialized. We were rudderless and he gave us a direction, which was what we desperately needed.”ĭuring the course of the High’n’Dry sessions at London’s Battery Studios, the band and their new producer painstakingly dissected, rearranged, and even significantly re-wrote the material they’d prepared, but the resulting album was all the better for it. “Mutt Lange was a great captain, a great leader. “It was almost like army discipline, but he got great performances out of everyone that we’d never have got otherwise,” vocalist Joe Elliott recalled in 2014. Known for his meticulous approach to his craft, Lange’s input would soon have a significant effect on the course of Def Leppard’s career, but his disciplined methods initially forced his new charges to adapt quite dramatically.

Def leppard high n dry series#

Inevitably, these influences fed into the DNA of Leppard’s On Through The Night: a no-nonsense studio capture of the live set they’d honed through 18 months of solid gigging, which they banged out with a Ramones-esque intensity with the help of Black Sabbath/Judas Priest producer Tom Allom.Ī series of positive reviews (including one from Rolling Stone suggesting that “they not only respect their elders, they’ve taken cues from their new wave peers too”) confirmed Leppard were on the right track, but the band realized they still needed to step up a gear to connect on an international level.Īccordingly, the Sheffield quintet turned to a new producer, South African-born Robert John “Mutt” Lange, whose credits included The Boomtown Rats, The Motors, and, most recently, AC/DC’s influential, multi-platinum-selling Back In Black.

During their formative years in the late 70s, Leppard – alongside Iron Maiden and Saxon – became one of the hottest properties to emerge from what Sounds journalist Geoff Barton dubbed the New Wave Of British Heavy Metal (aka NWOBHM): a new breed of grass-roots, UK hard rock outfits who loved the anthemic cut and thrust of classic 70s rock icons such as Thin Lizzy, Led Zeppelin, and UFO, but also the attitude and raw aggression of punk.